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Earth's Daughters Back Issues Guidelines for Submissions Current Themes Subscriptions Current Editors books by Current Editors Poems from Recent Issues Calendar Home | ![]() Poems from recent issues of Earth's Daughters from LINES, Issue #91 GRAVITY It only took ten seconds for each of the Twin Towers to fall into a million tons of rubble I. Steel, glass, jet fuel, paper, above all paper, fuelled the sustained heat that melted steel. We lowered our heads, breathed gypsum and bone as it snowed on Lower Manhattan. II. In the grocery store those first days, no one spoke. We gripped grocery carts. Action was hushed. Our breaths went in and out. Stockers hand-set each glass jar, considered each can, the stack of box on box. III. I bought bags of mixed crocus, broke the sanctity of lawn, cut straight sided holes like foundation wells, (not made to fill with collapsed floors) and mixed in granulated fertilizer and bonemeal, then the bulbs. I would have a memorial. Not so I would remember, so I could work grief with two hands. Laura L. Snyder
Burien, WA from HINDSIGHT, Issue #90 BUDDHA UNFURLS Have you ever walked into an empty room when no one else but you is home, and the room has changed? Somehow, different than you left it. Subtropical mist and the sound of rocks shifting. It happened mid-May. The room disrobed. Maps of states curled gently towards the Gulf of Mexico. California and Colorado became neightbors, white push pins scattered willy-nilly on the berber carpet. The batik Buddha tapestry unfurled, not unlike ribbons from a girl's waist. Spasms of air shifting making visible the unseen. That empty room, undisturbed by breath can still take you home. Celeste Labadie
Boulder,CO from IN THE JAR, Issue #89 TENNESSEE OR ANY STATE Another year flops onto its side and disappears downstream; another appears immediately with no disruption in the current. Over and again this happens but this year something jarred me. I noticed I was the timekeeper not the river. Helen Ruggieri
Olean, NY from EBB, Issue #88 AUGUST, HURRICANE CONNIE For Emmett Till After the rains, we ventured out to play, as children do, sniffing the air, salty, sharp and moldy, nature's dead debris at our feet: branches, leaves, petals, pieces of metal toys, everything broken. Fathers– waiters, teachers, newsmen– put on crisp shirts and, lighting cigarettes, walked out to assess ruined gutters and fences; mothers fretted over lilacs and roses. Red brick Tudor houses stood upright as before. School soon began, and Lizzie found a magazine photo of the 14-year-old boy in his open casket, one eye gouged out, beaten in Mississippi just two weeks after the storm. We stared at it, had no language for the damage. We didn't know grownups were capable of that. A parent took away the picture, gave us lucky chalk and satin hair ribbons. We took the presents eagerly, eyed the adults, and drew monsters on the pavement, ugly bumps on their frowning faces. Susana H. Case
New York, NY from TASTE, Issue #87 DEGRADATION OF THE PEACH Once upon a not that long ago a peach was sweet and juicy. You could recognize its flavor in the dark as you licked its tangy honey from your chin. Now they are mealy. Sweet as pillow stuffing. Designed for shipping, not eating. Such a peach will rot long before it can ever ripen. Tomatoes will soon be square as children's blocks and taste like them. They have lost their scent. You can bounce them off the kitchen floor. Huge strawberries shipped from California have no savor. We are deprived of the pleasures of ripe fruit. We are warned to eat fruit but these are parodies. Apples are red we're told but live apples dress in russet, gold green, streaked orange. Real fruit has bruises, maybe a worm hole but it sings its name as you taste. Marge Piercy
Wellfleet, MA from Shift, Issue #86 LIKE A DARK LANTERN I move thru the first floor at 3 AM, past the cat who is curled in a chair half made of her fur, turning her back on air conditioning, startled to find me prowling in the dark as if I was intruding on stars and moon and the ripple in water that spits back the plum trees. Grass smells grassier. The clock inches slowly toward the light. A creak of wood and the soft scratch on the blue Persian rug that cat claws gently merge with some night bird I've never seen like a poem that goes along and suddenly, at the end, like a banked fire, explodes into the wildest flame that finishes off everything that has come before it perfectly Lyn Lifshin
Vienna, VA from Small Things, Issue #85 TO THE RIVER-MERCHANT'S WIFE By the gate now, the moss is grown, the different mosses,
Too deep to clear them away! —Rihaku (Li Bai), translated by Ezra Pound For you, the growth of the moss simply measured how long your husband had been gone. If he had been home, the sweep of the gate, the scuff of feet passing back and forth on the walk would have checked its spread. What few plants appeared he would have scraped away to keep the stone path smooth. Alone, though, you had begun to see the moss was not a uniform green fuzz spreading and thickening over the ground. You had noticed there were different mosses: upright stalks and trailing; leaves whorled into starbursts, fine-split into plumy feathers; deep greens and pale, bluish and yellowish, some nearly black, others almost gold. They made a variegated texture— richness you might have admired, had it been in a woven cloth your hand could stroke. Perhaps, while you went on waiting for your husband's return, you started to study those mosses, to take interest, even delight, in their minute structures. Perhaps you ceased to regard them as debris needing to be cleared away, came to see them instead as a garden in miniature. Perhaps you gathered a harvest of inch-long, leaf-furred stalks, dried them, and wove them into baskets to hold small keepsakes. Perhaps that work became a comfort. Perhaps it even have you a quiet, private joy. Eleanor Berry Lyons, OR from Light, Issue #84 REFLECTION You move as a boat through waters of the night, no wave apart from light flickering like a ghost forever lost, no more than carving and I as shore looking on not moving under the moon David Radavich Charlotte, NC from Dancing on the Edge, Issue #83 SINGING DOWN THE NIGHT We sang like coyotes drunk on stars, the scent of secrets falling to earth for one illuminated moment trailing mystery Night runs like a river to sweep away boundaries sculpted into curves like raptors acquiesced in the rise of thermals, the trust to spirals opening the way for light clustered together. Sheri L. Wright Louisville, KY |